Club in the Pub 2nd
March 2008
Review by Clive
Meggs


Today is Mothers Day so we are not sure how many people
will have other commitments, but we need not have worried
as the audience begins to fill. We are in the pub today
because the White Hart is holding a real ale festival, and
the function room is decked out with numerous barrels of
real ale and ciders. Oh how I wish I was not driving.

Trevor(TDL) kicks off the afternoon with a rousing
steamship shanty called The Fire on the Mauritania. I have
not heard him sing this one before, he must have quite a
repertoire. Great stuff Trevor!

Bernard is on next with his mighty organ. He plays some
tunes including the Match of the Day Theme, I'm Forever
Blowing Bubbles, Amarillo, and Toot Toot Tootsy.
Halfway through Maureen cranks up his organ whilst he
gets his little man out who does a nifty little tap dance on
his knee. We are also entertained by a loudmouth standing
at the back who is becoming rather tedious. Bernard and
Maureen carry on in true professional style.

Our own answer to Neil Young, The Beatles and whoever
else you care to think of is on next. Len sings us two songs
in his own unique style. The first is a Beatles number, I'll
Follow the Sun and the second, a song I know to have been
sung by Rod Stewart many years ago, Reason to Believe.
The idiot is still at the back and making quite a fool of
himself as well as a lot of noise. Quiet words are had in his
ear, and he decides to leave - Hooray!

One of our favourites, Steve O'Kane is on next. He has
travelled directly from his country abode in East Anglia,
and we await his performance in eager anticipation. Steve
informs us that he has just received a phone call. He
apologised but said he had to leave shortly. Nevertheless, in
true folk club style, Steve gives us three numbers. The first,
Hero in Retreat is one of his own numbers and can be
found on his album. He than sings a Neil Young song, Old
Man and rounds off his session with The Weight, a
rousing chorus song from the 60's written by Robbie
Robertson. Well done Steve!

Bill Pardon is on next and he gives us a couple of songs
sung in his own unique style. The first, a song about a pub
with a yellow ceiling stained by nicotine ( an all too
familiar setting which thankfully has become a thing of the
past with the smoking ban) is not entirely appropriate to
the venue as The White Hart has been undergoing some
decoration of late but gets the audience tapping their feet.
The second was a rousing local chorus song, The Boggy
Banks of Tilbury, and the audience are really joining in
now. Thank you Bill.

John Stafford is persuaded to perform next. He sings a
bluesy version of Swing Low Sweet Chariot, apologising
after every line, which was totally unnecessary. John, we
love to hear you play and sing! He follows with an
unaccompanied version of a very old song. I don't know the
title but my dear old Dutch features in the song. Maybe
that is what it is called. Everyone joins in.

Jo Migdal then prizes himself away from the sound desk to
entertain us on guitar with a song about Romford Market,
a jolly little number. He then sings us The Ploughboy's
Dream playing the accompaniment on his organ. No
electrics for Joe, the organ being powered by the constant
pumping of his leg. I love the sound it produces. Just like
being in church. Then, assisted by Kathy, he sings a song
about ale from the 1500's called The Malts Come Down.
He finishes his mini set with a song containing the chorus
1,2 3 Jolly men all in a line. I must remember to get the
correct title. An excellent set, Joe.

Liz, our resident poet, then gives us a couple of her poems.
The first is a nostalgic verse she wrote for her dad 2 years
ago for his 90th birthday. He is obviously now 92 years old
and she tells us he still drives, quite remarkable. Then we
went off shopping to Lakeside. Have you got the bags, well
we've got the ride - a chorus much loved by the audience.

Trevor sings a little tale of doom and gloom called St
James' Infirmary, then a chorus song, about drinking
called Drunk and Disorderly (cornflakes and gin, what a
combination!). This appeals to John who joins in both
vocally and with his mouth organ, almost turning it into a
duet. A humorous song follows about Eskimos entitled
When the Ice Worms Nest Again. Where does he find these
songs? Great stuff Trevor!

A short break is now taken for a tiddle and sale of raffle
tickets, so eloquently put by our MC.


We resume with Bernard getting his organ out again, what
an exhibitionist. He starts with Puppet on a String, which
is quite topical as the Eurovision song contest entry for this
country was picked out last night. This lead into a popular
tune, Puff the Magic Dragon. His able assistant Maureen
then gets up to wind the organ while Bernard plays with his
little fellow, a dancing monkey this time, to the tune of Oh
Yes We Have No Bananas.

Trevor is absent to introduce the next act so Jo sings Oh
Yes we have no MC.

Len comes back to the stage with a Cat Stevens song, The
First Cut is the Deepest followed by Tim Harding song If I
Were a Carpenter. I just love the way he plays and sings.

Bill introduces two songs that he doesn't actually get round
to performing, The wurlitzer song, wurlitzer one for the
money (blue suede shoes) and the big horse song (Maybe its
big horse I'm a Londoner) . He does actually sing a
humorous version of House of the rising Sun about Leigh
on sea and the Hoy at Anchor folk club, followed by Icarus
schmicurus show us your niccarus, who knows how to spell
it, we all join in.


The raffle is drawn next and I win a box of ferrero rocher
for mothers day, you see it pays to say you win naff all ( I
must do that again sometime).

John Stafford gives us an unaccompanied version of Danny
Boy, the audience goes completely silent and I can see a tear
or two in some eyes. Excellent John!

Liz then recites the shoes poem. She tells us this arose from
the fact that her husband and son insisted that they only
need two pairs of shoes, but of course Liz disagreed, and
came up with this very humorous verse. She then lapses into
a coughing fit before reciting Oh My Haven't They
Changed, one of our favourites. (Liz admits she used to
smoke 40 a day but is now a non smoker).


Eddie, from the bar, braves the audience and says a poem
about a girl he likes - least said the better.

The afternoon is concluded by Trevor, who invites other
performers onto the stage to join in the finale. It is a song
that used to be sung by slaves packing cotton onto the
slaving ships, and dates from the 1870's. It is a lengthy
song with a repetitive chorus 'pay me my money now!'. We
all join in and are humming the tune as we leave the
premises. Thank you to all the performers for a great
afternoon!!!!!